叱咤马术界的神话级骑手承浩(车太贤 Tae-hyun Cha 饰)曾创下了连赢300场比赛的神话,光环和荣誉围绕的他拥有着光明的未来。然而一次意外的车祸夺去了他心爱妻子的生命,虽然存活下来的他却失去了对生活和骑术的信心,眼睛的视力也渐渐衰退,让他不得不放弃了马术生涯。生活总会发生转折,和女儿艺胜相依为命穷困潦倒的承浩在马场遇上了一匹因为车祸失去幼子并且瘸腿的赛马露娜,相似的经历让承浩重新振作了起来,极力的阻挠下了人们对露娜的捕杀,努力驯服并且着手练习准备比赛。人们对于一个败落的骑手和一匹瘸马取得比赛胜利持有的不屑态度,期间技术上练习的重重困难,都没有打到这一人一马,决心东山再起的承浩更是为了女儿决定放手一搏,全力以赴…
该片改编自纪录电影《Champ》里一匹叫做露娜的跛脚马和它主人的真实的励志故事。
Norman Oppenheimer is a small time operator who befriends a young politician at a low point in his life. Three years later, when the politician becomes an influential world leader, Norman's life dramatically changes for better and worse.
作家巴里(约翰尼·德普 Johnny Depp饰)正处于灵感枯竭期。他每天经过公园的时候,都会看见里面有一帮小孩在嬉戏。他停下脚步来观察,原来孩子在玩海盗游戏,孩子们还热情邀请他加入海盗队伍。巴里成了一个大孩子,在队伍中虽然高出一个头,却玩得不亦乐乎——道具、角色、各色 情节、公园变成一个快乐的幻想世界。这段经历,成了巴里创作《小飞侠》的灵感源泉。 孩子的母亲(凯特·温丝莱特 Kate Winslet 饰)是一个寡妇,她也受到了这里快乐的气氛感染。巴里和他们相处就像一家人一样,享受着单纯的快乐,然而也难免招人闲话。而巴里的妻子,也终究只属于现实世界,走不进巴里的内心。 《小飞侠》的完稿上演,遭到了众人的质疑。然而演出后当地的反响,证明了巴里的坚持是正确的。但这时,巴里和孩子们正面临着一场来自现实世界的巨大打击,他们善良的母亲,正在离他们远去……
Tales from the Occult 2 is a sequel to the 3-part omnibus and is a more ambitious work than its predecessor, swaying towards the psychological thriller genre. Frank Hui’s Rapunzel tells the story, which begins when a female model, sexually harassed by a record company CEO, visits a hair salon where a psychopath works. Daniel Chan’s Cheshire Cat is a nightmarish urban legend tha...
When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.
Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
Childhood friends from Boston drift apart following a shocking discovery deep in the woods of Savin Hill. Years later a tragic murder brings them together again. But for one man, it's no mistake. A trap has been set... After serving time for a crime he didn't commit, TOM GREYS is released from prison with a score to settle: he is dead-set on tracking down the man who set him up...